Can we please bond over blush? Because I have a new appreciation for its power.
It’s REALLY powerful!
This occurred to me last week while conducting the “just one thing” experiment. I realized that applying blush on a bare face was one of the things that made the biggest impact.
Every beauty article ever written on blush basically says the same thing — that blush makes you look healthy and vibrant — but like, really, when you don’t have other stuff going on with your makeup and your face is otherwise bare, you can REALLY see just how powerful blush is.
Yeah, I’ve been loving on my blush a little extra lately. ?
I have a couple new favorites, and they’re from a brand called Flesh, which is the line by Allure magazine founder Linda Wells (launched last summer and available at Ultar), and the powder blushes are bomb! I’ve been going back and forth between Caress, which is a matte tan/warm brown (almost looks like a bronzer), and Glaze, which is a deep reddish coral with subtle gold shimmer. I’ve had extremely dry skin for a couple weeks because of winter, and because I’ve been using a retinol at night, but when I wear these powder blushes, which are ridiculously smooth, I can’t even see the dry patches.
They practically float on top of my skin above the flakes. It’s super cool. Both colors, by the way, are somewhat intense, so if you tend to be heavy-handed with your blush (which I do sometimes because I’m so used to doing makeup for flash photography), just so ya know, grab a makeup sponge or a buffing brush — basically whatever you use to buff down your foundation or concealer — and stipple the leftover base makeup on top of the blush. That should tone down the brightness and lift away any excess product. Or, just, you know…go in with a light touch. That’ll work too! LOL!
Don’t ask me why I only just figured this out right now, but I bought this empty six-pan MAC blush palette years ago, and it didn’t occur to me until last week (!) that you can actually remove the frame that holds the pans and stick your blushes directly into the palette.
DUH, KAREN!